The 2018 VIDA Count Image Descriptions
Please note that we are working hard to complete all the visual graphs into accessible text-based data. We plan on completing this work by the end of November. Thank you for your patience.
Overview of the Main Count
Overview
The chart shows the Main Count journals and their overall gender breakdown in publication. It starts with the journal with the highest ratio of women and nonbinary writers published in 2018 and ends with the journal with the lowest ratio of women and nonbinary writers published in 2018.
Values
These are the numerical values presented on the image: Overview of the Main Count 2018.
| Journal Name | Number of Women Published (in percentage) | Number of Men Published (in percentage) | Number of Nonbinary Writers Published (in percentage) | Number of Unidentified Writers Published (in percentage) | Percentage Change from Last Year for Women | Percentage Change from Last Year for Nonbinary Writers |
|---|---|---|---|---|---|---|
| Tin House | 64.6% | 35.4% | 0.0% | 0.0% | +14.8% | -0.5% |
| Granta | 57.6% | 41.3% | 1.1% | 0.0% | +4.1% | +0.1% |
| Poetry | 47.3% | 43.1% | 9.6% | 0.0% | -2.7% | +9.3% |
| Boston Review | 53.6% | 45.6% | 0.8% | 0.0% | +15.8% | +0.8% |
| The Paris Review | 48.8% | 50.0% | 1.2% | 0.0% | +6.1% | +1.2% |
| The New York Times Book Review | 48.0% | 51.7% | 0.2% | 0.1% | +2.1% | +0.1% |
| Harper’s Magazine | 46.6% | 53.1% | 0.3% | 0.0% | +4.5% | -0.4% |
| The New Republic | 44.5% | 55.0% | 0.4% | 0.0% | +2.3% | -0.9% |
| The New Yorker | 42.3% | 57.3% | 0.3% | 0.1% | +2.6% | +0.0% |
| Times Literary Supplement | 38.5% | 61.2% | 0.1% | 0.3% | +2.5% | -0.1% |
| The Nation | 36.9% | 62.9% | 0.2% | 0.0% | +0.5% | -0.2% |
| The Threepenny Review | 36.6% | 62.6% | 0.0% | 0.8% | +3.9% | -1.0% |
| London Review of Books | 33.7% | 65.8% | 0.0% | 0.5% | +6.8% | +0.0%% |
| The Atlantic | 33.6% | 66.4% | 0.0% | 0.0% | -2.8% | +0.0% |
| The New York Review of Books | 27.1% | 72.6% | 0.1% | 0.1% | +3.9% | +0.0% |
Footer text reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The bar chart represents the number of women, men, nonbinary, and unidentified writers published in each journal, and the total change for women and nonbinary writers compared to last year (2017) as plus or minus percentage points. The journal names are listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors. A third column is provided to show the percentage change for women and nonbinary writers from the previous year.
Overview of the Larger Literary Landscape
Overview
The chart shows the Larger Literary journals and their overall gender breakdown in publication. It starts with the journal with the highest ratio of women and nonbinary writers published in 2018 and ends with the journal with the lowest ratio of women and nonbinary writers published in 2018.
Values
These are the numerical values presented on the image: Overview of the Larger Literary Landscape 2018.
| Journal Name | Number of Women Published (in percentage) | Number of Men Published (in percentage) | Number of Nonbinary Writers Published (in percentage) | Number of Unidentified Writers Published (in percentage) | Percentage Change From Last Year For Women | Percentage Change From Last Year For Nonbinary Writers |
|---|---|---|---|---|---|---|
| McSweeney’s | 70.6% | 29.4% | 0.0% | 0.0% | n/a | n/a |
| The Missouri Review | 68.1% | 31.9% | 0.0% | 0.0% | +7.0% | +0.0% |
| Prairie Schooner | 67.3% | 31.9% | 0.8% | 0.0% | +7.6% | +0.3% |
| The Normal School | 65.4% | 33.3% | 1.3% | 0.0% | +8.0% | +1.3% |
| Ninth Letter | 52.1% | 33.8% | 12.7% | 1.4% | -9.2% | +11.6% |
| Pleiades | 62.0% | 38.0% | 0.0% | 0.0% | +14.2% | -0.3% |
| The Cincinnati Review | 60.7% | 39.0% | 0.3% | 0.0% | +4.2% | +0.3% |
| Jubilat | 57.4% | 41.0% | 1.6% | 0.0% | +4.4% | +1.6% |
| Colorado Review | 57.8% | 41.5% | 0.7% | 0.0% | +9.7% | +0.1% |
| Conjunctions | 56.8% | 43.2% | 0.0% | 0.0% | -1.4% | +0.0% |
| Virginia Quarterly Review | 53.6% | 44.3% | 2.1% | 0.0% | -0.3% | -0.2% |
| Fence | 53.6% | 46.4% | 0.0% | 0.0% | -5.3% | +0.0% |
| n+1 | 53.3% | 46.7% | 0.0% | 0.0% | +14.3% | +0.0% |
| The Believer | 51.6% | 47.3% | 1.1% | 0.0% | +18.3% | +1.1% |
| New England Review | 50.7% | 48.6% | 0.7% | 0.0% | -3.9% | +0.7% |
| Kenyon Review | 50.2% | 49.8% | 0.0% | 0.0% | -0.6% | +0.0% |
| A Public Space | 50.0% | 50.0% | 0.0% | 0.0% | -7.4% | +0.0% |
| Copper Nickel | 48.7% | 50.6% | 0.6% | 0.0% | -3.1% | +0.6% |
| Gettysburg Review | 49.3% | 48.6% | 0.0% | 2.1% | +8.4% | +0.0% |
| Southwest Review | 45.6% | 54.4% | 0.0% | 0.0% | +5.6% | +0.0% |
| AGNI | 45.2% | 54.8% | 0.0% | 0.0% | -10.0% | +0.0% |
| Callaloo | 44.0% | 56.0% | 0.0% | 0.0% | -4.7% | +0.0% |
| The Southern Review | 43.8% | 56.2% | 0.0% | 0.0% | -1.3% | +0.0% |
| Harvard Review | 43.5% | 53.6% | 0.0% | 2.9% | +5.4% | +0.0% |
| New American Writing | 41.4% | 58.6% | 0.0% | 0.0% | -9.1% | +0.0% |
Footer text reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The bar chart represents the number of women, men, nonbinary, and unidentified writers published in each journal, and the total change for women and nonbinary writers compared to last year (2017) as plus or minus percentage points. The journal names are listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors. A third column is provided to show the percentage change for women and nonbinary writers from the previous year.
The Atlantic
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Atlantic 2018 VIDA Count.
| Total Number of Pieces | Women Published (in number pieces) | Men Published (in number of pieces) | Nonbinary Writers Published (in number of pieces) | Unidentified Writers Published (in number of pieces) | |
|---|---|---|---|---|---|
| 217 | 73 | 144 | 0 | 0 | |
| 100% | 33.6% | 66.4% | 0.0% | 0.0% |
| Type of Writing | Women | Men | Nonbinary | Unidentified | Type Total (in pieces) |
|---|---|---|---|---|---|
| Authors Reviewed | 39.5% (15) | 60.5% (23) | 0.0% (0) | 0.0% (0) | 38 |
| Book Reviewers | 50.0% (15) | 50.0% (15) | 0.0% (0) | 0.0% (0) | 30 |
| Bylines | 29.0% (42) | 71.0% (103) | 0.0% (0) | 0.0% (0) | 145 |
| Translators Reviewed | 25.0% (1) | 75.0% (3) | 0.0% (0) | 0.0% (0) | 4 |
These are the numerical values presented on the image: The Atlantic Historical Data 2018.
| Year | Women (in percentage) | Men (in percentage) | Nonbinary (in percentage) | Unidentified (in percentage) | |
|---|---|---|---|---|---|
| 2018 | 33.6% (73 pieces) | 66.4% (144 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) | |
| 2017 | 35.6% (81 pieces) | 63.5% (141 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) | |
| 2016 | 35.7% (81 pieces) | 64.3% (146 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) | |
| 2015 | 30.0% (68 pieces) | 70.0% (159 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) | |
| 2014 | 39.7% (87 pieces) | 60.3% (132 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) | |
| 2013 | 31.8% (67 pieces) | 68.2% (144 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) | |
| 2012 | 22.6% (62 pieces) | 77.4% (212 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) | |
| 2011 | 27.1% (84 pieces) | 72.9% (226 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) | |
| 2010 | 21.7% (15 pieces) | 78.3% (54 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) |
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Boston Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Boston Review 2018 VIDA Count.
| Total Number of Pieces | Women Published (in number of pieces) | Men Published (in number of pieces) | Nonbinary Writers Published (in number of pieces) | Unidentified Writers Published (in number of pieces) |
|---|---|---|---|---|
| 125 | 67 | 57 | 1 | 0 |
| 100% | 53.6% | 45.6% | 0.8% | 0.0% |
| Type of Writing | Women | Men | Nonbinary | Unidentified | Type Total (in pieces) |
|---|---|---|---|---|---|
| Authors Reviewed | 50.0% (2) | 50.0% (2) | 0.0% (0) | 0.0% (0) | 4 |
| Book Reviewers | 0.0% (0) | 100% (3) | 0.0% (0) | 0.0% (0) | 3 |
| Bylines | 54.6% (59) | 44.4% (48) | 0.9% (1) | 0.0% (0) | 108 |
| Translators | 60.0% (6) | 40.0% (4) | 0.0% (0) | 0.0% (0) | 10 |
These are the numerical values presented on the image: Boston Review Historical Data 2018.
| Year | Women (in percentage) | Men (in percentage) | Nonbinary (in percentage) | Unidentified (in percentage) |
|---|---|---|---|---|
| 2018 | 53.6% (67 pieces) | 45.6% (57 pieces) | 0.8% (1 piece) | 0.0% (0 pieces) |
| 2017 | 37.8% (28 pieces) | 62.2% (46 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) |
| 2016 | 47.1% (89 pieces) | 52.4% (99 pieces) | 0.5% (1 piece) | 0.0% (0 pieces) |
| 2015 | 46.4% (142 pieces) | 53.6% (164 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) |
| 2014 | 44.3% (125 pieces) | 55.7% (157 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) |
| 2013 | 42.6% (106 pieces) | 57.4% (143 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) |
| 2012 | 42.1% (99 pieces) | 57.9% (136 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) |
| 2011 | 33.6% (73 pieces) | 66.4% (144 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) |
| 2010 | 33.0% (33 pieces) | 67.0% (67 pieces) | 0.0% (0 pieces) | 0.0% (0 pieces) |
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Granta
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Granta 2018 VIDA Count.
These are the numerical values presented on the image: Granta Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Harper’s Magazine
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Harper’s Magazine 2018 VIDA Count.
These are the numerical values presented on the image: Harper’s Magazine Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
London Review of Books
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: London Review of Books 2018 VIDA Count.
These are the numerical values presented on the image: London Review of Books Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The Nation
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Nation 2018 VIDA Count.
These are the numerical values presented on the image: The Nation Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The New Republic
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The New Republic 2018 VIDA Count.
These are the numerical values presented on the image: The New Republic Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The New York Review of Books
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The New York Review of Books 2018 VIDA Count.
These are the numerical values presented on the image: The New York Review of Books Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The New York Times Book Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The New York Times Book Review 2018 VIDA Count.
These are the numerical values presented on the image: The New York Times Book Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The New Yorker
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The New Yorker 2018 VIDA Count.
These are the numerical values presented on the image: The New Yorker Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The Paris Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Paris Review 2018 VIDA Count.
These are the numerical values presented on the image: The Paris Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Poetry
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Poetry 2018 VIDA Count.
These are the numerical values presented on the image: Poetry Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The Threepenny Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Threepenny Review 2018 VIDA Count.
These are the numerical values presented on the image: The Threepenny Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Times Literary Supplement
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Times Literary Supplement 2018 VIDA Count.
These are the numerical values presented on the image: Times Literary Supplement Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Tin House
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Tin House 2018 VIDA Count.
These are the numerical values presented on the image: Tin House Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
A Public Space
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: A Public Space 2018 VIDA Count.
These are the numerical values presented on the image: A Public Space Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
AGNI
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: AGNI 2018 VIDA Count.
These are the numerical values presented on the image: AGNI Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The Believer
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Believer 2018 VIDA Count.
These are the numerical values presented on the image: The Believer Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Callaloo
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Callaloo 2018 VIDA Count.
These are the numerical values presented on the image: Callaloo Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The Cincinnati Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Cincinnati Review 2018 VIDA Count.
These are the numerical values presented on the image: The Cincinnati Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Colorado Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Colorado Review 2018 VIDA Count.
These are the numerical values presented on the image: Colorado Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Conjunctions
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Conjunctions 2018 VIDA Count.
These are the numerical values presented on the image: Conjunctions Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Copper Nickel
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Copper Nickel 2018 VIDA Count.
These are the numerical values presented on the image: Copper Nickel Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Fence
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Fence 2018 VIDA Count.
These are the numerical values presented on the image: Fence Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Gettysburg Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Gettysburg Review 2018 VIDA Count.
These are the numerical values presented on the image: Gettysburg Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Harvard Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Harvard Review 2018 VIDA Count.
These are the numerical values presented on the image: Harvard Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
McSweeney’s
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: McSweeney’s 2018 VIDA Count.
These are the numerical values presented on the image: McSweeney’s Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The Missouri Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Missouri Review 2018 VIDA Count.
These are the numerical values presented on the image: The Missouri Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
n+1
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: n+1 2018 VIDA Count.
These are the numerical values presented on the image: n+1 Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
New American Writing
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: New American Writing 2018 VIDA Count.
These are the numerical values presented on the image: New American Writing Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
New England Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: New England Review 2018 VIDA Count.
These are the numerical values presented on the image: New England Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Ninth Letter
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Ninth Letter 2018 VIDA Count.
These are the numerical values presented on the image: Ninth Letter Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The Normal School
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Normal School 2018 VIDA Count.
These are the numerical values presented on the image: The Normal School Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Pleiades
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Pleiades 2018 VIDA Count.
These are the numerical values presented on the image: Pleiades Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Prairie Schooner
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Prairie Schooner 2018 VIDA Count.
These are the numerical values presented on the image: Prairie Schooner Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
The Southern Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: The Southern Review 2018 VIDA Count.
These are the numerical values presented on the image: The Southern Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Southwest Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Southwest Review 2018 VIDA Count.
These are the numerical values presented on the image: Southwest Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.
Virginia Quarterly Review
Overview
There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.
Values
These are the numerical values presented on the image: Virginia Quarterly Review 2018 VIDA Count.
These are the numerical values presented on the image: Virginia Quarterly Review Historical Data 2018.
Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq”
Presentation
The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.
The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.