The 2018 VIDA Count Image Descriptions

Please note that we are working hard to complete all the visual graphs into accessible text-based data. We plan on completing this work by the end of November. Thank you for your patience.

Overview of the Main Count

Overview

The chart shows the Main Count journals and their overall gender breakdown in publication. It starts with the journal with the highest ratio of women and nonbinary writers published in 2018 and ends with the journal with the lowest ratio of women and nonbinary writers published in 2018.

Values

These are the numerical values presented on the image: Overview of the Main Count 2018.

Journal NameNumber of Women Published (in percentage)Number of Men Published (in percentage)Number of Nonbinary Writers Published (in percentage)Number of Unidentified Writers Published (in percentage)Percentage Change from Last Year for WomenPercentage Change from Last Year for Nonbinary Writers
Tin House64.6%35.4%0.0%0.0%+14.8%-0.5%
Granta57.6%41.3%1.1%0.0%+4.1%+0.1%
Poetry47.3%43.1%9.6%0.0%-2.7%+9.3%
Boston Review53.6%45.6%0.8%0.0%+15.8%+0.8%
The Paris Review48.8%50.0%1.2%0.0%+6.1%+1.2%
The New York Times Book Review48.0%51.7%0.2%0.1%+2.1%+0.1%
Harper’s Magazine46.6%53.1%0.3%0.0%+4.5%-0.4%
The New Republic44.5%55.0%0.4%0.0%+2.3%-0.9%
The New Yorker42.3%57.3%0.3%0.1%+2.6%+0.0%
Times Literary Supplement38.5%61.2%0.1%0.3%+2.5%-0.1%
The Nation36.9%62.9%0.2%0.0%+0.5%-0.2%
The Threepenny Review36.6%62.6%0.0%0.8%+3.9%-1.0%
London Review of Books33.7%65.8%0.0%0.5%+6.8%+0.0%%
The Atlantic33.6%66.4%0.0%0.0%-2.8%+0.0%
The New York Review of Books27.1%72.6%0.1%0.1%+3.9%+0.0%

Footer text reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The bar chart represents the number of women, men, nonbinary, and unidentified writers published in each journal, and the total change for women and nonbinary writers compared to last year (2017) as plus or minus percentage points. The journal names are listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors. A third column is provided to show the percentage change for women and nonbinary writers from the previous year.

Overview of the Larger Literary Landscape

Overview

The chart shows the Larger Literary journals and their overall gender breakdown in publication. It starts with the journal with the highest ratio of women and nonbinary writers published in 2018 and ends with the journal with the lowest ratio of women and nonbinary writers published in 2018.

Values

These are the numerical values presented on the image: Overview of the Larger Literary Landscape 2018.

Journal NameNumber of Women Published (in percentage)Number of Men Published (in percentage)Number of Nonbinary Writers Published (in percentage)Number of Unidentified Writers Published (in percentage)Percentage Change From Last Year For WomenPercentage Change From Last Year For Nonbinary Writers
McSweeney’s70.6%29.4%0.0%0.0%n/an/a
The Missouri Review68.1%31.9%0.0%0.0%+7.0%+0.0%
Prairie Schooner67.3%31.9%0.8%0.0%+7.6%+0.3%
The Normal School65.4%33.3%1.3%0.0%+8.0%+1.3%
Ninth Letter52.1%33.8%12.7%1.4%-9.2%+11.6%
Pleiades62.0%38.0%0.0%0.0%+14.2%-0.3%
The Cincinnati Review60.7%39.0%0.3%0.0%+4.2%+0.3%
Jubilat57.4%41.0%1.6%0.0%+4.4%+1.6%
Colorado Review57.8%41.5%0.7%0.0%+9.7%+0.1%
Conjunctions56.8%43.2%0.0%0.0%-1.4%+0.0%
Virginia Quarterly Review53.6%44.3%2.1%0.0%-0.3%-0.2%
Fence53.6%46.4%0.0%0.0%-5.3%+0.0%
n+153.3%46.7%0.0%0.0%+14.3%+0.0%
The Believer51.6%47.3%1.1%0.0%+18.3%+1.1%
New England Review50.7%48.6%0.7%0.0%-3.9%+0.7%
Kenyon Review50.2%49.8%0.0%0.0%-0.6%+0.0%
A Public Space50.0%50.0%0.0%0.0%-7.4%+0.0%
Copper Nickel48.7%50.6%0.6%0.0%-3.1%+0.6%
Gettysburg Review49.3%48.6%0.0%2.1%+8.4%+0.0%
Southwest Review45.6%54.4%0.0%0.0%+5.6%+0.0%
AGNI45.2%54.8%0.0%0.0%-10.0%+0.0%
Callaloo44.0%56.0%0.0%0.0%-4.7%+0.0%
The Southern Review43.8%56.2%0.0%0.0%-1.3%+0.0%
Harvard Review43.5%53.6%0.0%2.9%+5.4%+0.0%
New American Writing41.4%58.6%0.0%0.0%-9.1%+0.0%

Footer text reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The bar chart represents the number of women, men, nonbinary, and unidentified writers published in each journal, and the total change for women and nonbinary writers compared to last year (2017) as plus or minus percentage points. The journal names are listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors. A third column is provided to show the percentage change for women and nonbinary writers from the previous year.

The Atlantic

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Atlantic 2018 VIDA Count.

Total Number of PiecesWomen Published (in number pieces)Men Published (in number of pieces)Nonbinary Writers Published (in number of pieces)Unidentified Writers Published (in number of pieces)
2177314400
100%33.6%66.4%0.0%0.0%
Type of WritingWomenMenNonbinaryUnidentifiedType Total (in pieces)
Authors Reviewed39.5% (15)60.5% (23)0.0% (0)0.0% (0)38
Book Reviewers50.0% (15)50.0% (15)0.0% (0)0.0% (0)30
Bylines29.0% (42)71.0% (103)0.0% (0)0.0% (0)145
Translators Reviewed25.0% (1)75.0% (3)0.0% (0)0.0% (0)4

These are the numerical values presented on the image: The Atlantic Historical Data 2018.

YearWomen (in percentage)Men (in percentage)Nonbinary (in percentage)Unidentified (in percentage)
201833.6% (73 pieces)66.4% (144 pieces)0.0% (0 pieces)0.0% (0 pieces)
201735.6% (81 pieces)63.5% (141 pieces)0.0% (0 pieces)0.0% (0 pieces)
201635.7% (81 pieces)64.3% (146 pieces)0.0% (0 pieces)0.0% (0 pieces)
201530.0% (68 pieces)70.0% (159 pieces)0.0% (0 pieces)0.0% (0 pieces)
201439.7% (87 pieces)60.3% (132 pieces)0.0% (0 pieces)0.0% (0 pieces)
201331.8% (67 pieces)68.2% (144 pieces)0.0% (0 pieces)0.0% (0 pieces)
201222.6% (62 pieces)77.4% (212 pieces)0.0% (0 pieces)0.0% (0 pieces)
201127.1% (84 pieces)72.9% (226 pieces)0.0% (0 pieces)0.0% (0 pieces)
201021.7% (15 pieces)78.3% (54 pieces)0.0% (0 pieces)0.0% (0 pieces)

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Boston Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Boston Review 2018 VIDA Count.

Total Number of PiecesWomen Published (in number of pieces)Men Published (in number of pieces)Nonbinary Writers Published (in number of pieces)Unidentified Writers Published (in number of pieces)
125675710
100%53.6%45.6%0.8%0.0%
Type of Writing WomenMenNonbinaryUnidentifiedType Total (in pieces)
Authors Reviewed50.0% (2)50.0% (2)0.0% (0)0.0% (0)4
Book Reviewers0.0% (0)100% (3)0.0% (0)0.0% (0)3
Bylines54.6% (59)44.4% (48)0.9% (1)0.0% (0)108
Translators60.0% (6)40.0% (4)0.0% (0)0.0% (0)10

These are the numerical values presented on the image: Boston Review Historical Data 2018.

YearWomen (in percentage)Men (in percentage)Nonbinary (in percentage)Unidentified (in percentage)
201853.6% (67 pieces)45.6% (57 pieces)0.8% (1 piece)0.0% (0 pieces)
201737.8% (28 pieces)62.2% (46 pieces)0.0% (0 pieces)0.0% (0 pieces)
201647.1% (89 pieces)52.4% (99 pieces)0.5% (1 piece)0.0% (0 pieces)
201546.4% (142 pieces)53.6% (164 pieces)0.0% (0 pieces)0.0% (0 pieces)
201444.3% (125 pieces)55.7% (157 pieces)0.0% (0 pieces)0.0% (0 pieces)
201342.6% (106 pieces)57.4% (143 pieces)0.0% (0 pieces)0.0% (0 pieces)
201242.1% (99 pieces)57.9% (136 pieces)0.0% (0 pieces)0.0% (0 pieces)
201133.6% (73 pieces)66.4% (144 pieces)0.0% (0 pieces)0.0% (0 pieces)
201033.0% (33 pieces)67.0% (67 pieces)0.0% (0 pieces)0.0% (0 pieces)

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Granta

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Granta 2018 VIDA Count.

These are the numerical values presented on the image: Granta Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Harper’s Magazine

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Harper’s Magazine 2018 VIDA Count.

These are the numerical values presented on the image: Harper’s Magazine Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

London Review of Books

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: London Review of Books 2018 VIDA Count.

These are the numerical values presented on the image: London Review of Books Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The Nation

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Nation 2018 VIDA Count.

These are the numerical values presented on the image: The Nation Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The New Republic

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The New Republic 2018 VIDA Count.

These are the numerical values presented on the image: The New Republic Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The New York Review of Books

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The New York Review of Books 2018 VIDA Count.

These are the numerical values presented on the image: The New York Review of Books Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The New York Times Book Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The New York Times Book Review 2018 VIDA Count.

These are the numerical values presented on the image: The New York Times Book Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The New Yorker

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The New Yorker 2018 VIDA Count.

These are the numerical values presented on the image: The New Yorker Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The Paris Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Paris Review 2018 VIDA Count.

These are the numerical values presented on the image: The Paris Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Poetry

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Poetry 2018 VIDA Count.

These are the numerical values presented on the image: Poetry Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The Threepenny Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Threepenny Review 2018 VIDA Count.

These are the numerical values presented on the image: The Threepenny Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Times Literary Supplement

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Times Literary Supplement 2018 VIDA Count.

These are the numerical values presented on the image: Times Literary Supplement Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Tin House

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Tin House 2018 VIDA Count.

These are the numerical values presented on the image: Tin House Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

A Public Space

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: A Public Space 2018 VIDA Count.

These are the numerical values presented on the image: A Public Space Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

AGNI

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: AGNI 2018 VIDA Count.

These are the numerical values presented on the image: AGNI Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The Believer

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Believer 2018 VIDA Count.

These are the numerical values presented on the image: The Believer Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Callaloo

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Callaloo 2018 VIDA Count.

These are the numerical values presented on the image: Callaloo Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The Cincinnati Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Cincinnati Review 2018 VIDA Count.

These are the numerical values presented on the image: The Cincinnati Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Colorado Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Colorado Review 2018 VIDA Count.

These are the numerical values presented on the image: Colorado Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Conjunctions

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Conjunctions 2018 VIDA Count.

These are the numerical values presented on the image: Conjunctions Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Copper Nickel

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Copper Nickel 2018 VIDA Count.

These are the numerical values presented on the image: Copper Nickel Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Fence

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Fence 2018 VIDA Count.

These are the numerical values presented on the image: Fence Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Gettysburg Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Gettysburg Review 2018 VIDA Count.

These are the numerical values presented on the image: Gettysburg Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Harvard Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Harvard Review 2018 VIDA Count.

These are the numerical values presented on the image: Harvard Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

McSweeney’s

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: McSweeney’s 2018 VIDA Count.

These are the numerical values presented on the image: McSweeney’s Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The Missouri Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Missouri Review 2018 VIDA Count.

These are the numerical values presented on the image: The Missouri Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

n+1

n+1

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: n+1 2018 VIDA Count.

These are the numerical values presented on the image: n+1 Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

New American Writing

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: New American Writing 2018 VIDA Count.

These are the numerical values presented on the image: New American Writing Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

New England Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: New England Review 2018 VIDA Count.

These are the numerical values presented on the image: New England Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Ninth Letter

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Ninth Letter 2018 VIDA Count.

These are the numerical values presented on the image: Ninth Letter Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The Normal School

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Normal School 2018 VIDA Count.

These are the numerical values presented on the image: The Normal School Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Pleiades

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Pleiades 2018 VIDA Count.

These are the numerical values presented on the image: Pleiades Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Prairie Schooner

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Prairie Schooner 2018 VIDA Count.

These are the numerical values presented on the image: Prairie Schooner Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

The Southern Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: The Southern Review 2018 VIDA Count.

These are the numerical values presented on the image: The Southern Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Southwest Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Southwest Review 2018 VIDA Count.

These are the numerical values presented on the image: Southwest Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.

Virginia Quarterly Review

Overview

There are two charts associated with each journal. The first chart details the individual journal’s gender breakdown, first as an overall number, then breaking down type of writing. The second chart is the historical data for that specific journal since the beginning of the VIDA Count.

Values

These are the numerical values presented on the image: Virginia Quarterly Review 2018 VIDA Count.

These are the numerical values presented on the image: Virginia Quarterly Review Historical Data 2018.

Footer text on both images reads: “Frequently asked questions: www.vidaweb.org/faq

Presentation

The first chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in each journal as total pieces with a column showing the total percentage of pieces. Gender is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using varied horizontal columns differentiated by different colors. Below the overall chart is the gender breakdown by type of writing presented in six columns and horizontal columns differentiated by different colors.

The second chart is a bar chart that represents the number of women, men, nonbinary, and unidentified writers published in that specific journal historically, since VIDA began counting that publication. The year is listed on the left-hand side. Women, men, nonbinary, and unidentified writers are represented using 100% or stacked horizontal columns differentiated by different colors.