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Archive for tag: Filipina

03.042018September 10, 2019

Dung-Aw: Conveying the Poetry of Grief

Dung-Aw: Conveying the Poetry of Grief

By Lisa SummeIn FeaturedTags All Saints Day, bereavement, death, diaspora, dirge, Donald Hall, Duino Elegies, dung-aw, Edwidge Danticat, Elegy, empathy, eulogy, exigency, extrajudicial killings, Filipina, Gilgamesh, greiving, grief, Homer, Ibaloi, Ilocano, Jamaal May, Kalinga, Kankanaey, lament, language, lyric, Michiko Kakutani, multilingual, origins, people of color, Philippine Cordillera, Philippines, poetry, Rainer Maria Rilke, regret, remorse, The Art of Death: Writing the Final Story, The Poetry of Death

For writers with the gift of more than one language, what kinds of sounds are we able to make when grieving? From living in this...

29.072015November 12, 2019

Finding Home Through Literature: A Study of Filipino Fiction

Finding Home Through Literature: A Study of Filipino Fiction

By Jessica ReidyIn FeaturedTags #fiction, A History of the Philippines: From Indios Bravos to Filipinos, altruism, America, America is in the Heart, American Son, Ancient Filipino Folklore, assimilation, Balikbayan, bamboo, bayanihan, beauty, Brian Ascalon Roley, Brown Skin: White Minds, California, Carlos Bulosan, christianity, Colonial Mentality, colonization, companionship, corruption, culture, custom, dictatorship, discrimination, Dogeaters, E.J.R David, equality, exotic, Filipina, Filipino, Filipino American, genocide, hate crimes, help, heritage, hiya, home, homeland, identity, indigenous, Japanese, Jessica Hagedorn, Jose Rizal, Kapwa, LA, labels, language, Leche, Letters to Montgomery Clift, literary history, literature, Luis H. Francia, Mable Cook Cole, Maganda, Malakas, manila, Marcos Regime, men, native, Noel Alumit, Noli Me Tangere, origin story, pakikisama, politics, prejudice, primitive, R. Zamora Linmark, racism, rape, religion, sense of inner debt/gratitude, shame, Spanish, stories, strength, Tagalog, Tess Uriza Holthe, The Story of Creation, torture, utang na loob, violence, When the Elephants Dance, Women

All my life, I felt ashamed because I was born in America. Growing up in Los Angeles, CA, in the nineties, an American, to me,...

26.052015September 10, 2019

Language of the Border

Language of the Border

By Jessica ReidyIn FeaturedTags aliens, and Javier Zamora’s Nueve Años Inmigrantes, April Naoko Heck’s A Nuclear Family, Arnold Schwarzenegger, Asian, Becerra, binaries, border, Cathy Linh Che’s Split, Darby Conley, Donald Pease, DREAM Act, Edward W. Soja, ethnicity, Eugenia Leigh’s Blood, Filipina, Gov. Gray Davis, Hieu Minh Nguyen’s This Way to the Sugar, ID, identity, illegal, immigrant, immigration, invisibility, Jamaal May’s Hum, Jericho Brown’s The New Testament, language, Latino, license, Los Angeles, Melanie McAlister, Mexico, Monica Ong’s Silent Anatomies, Natalie Diaz’ When My Brother Was an Aztec, Nedra Reynolds, O'Connell, Philip Metres’ Sand Opera, poetry, R. A. Villanueva’s Reliquaria, racism, Rigoberto Gonzalez’ Unpeopled Eden, Ross Gay’s Catalog of Unabashed Gratitude, Sally Wen Mao’s Mad Honey Symposium, Southern California, Sparrows and Sparrows, student, Tamiko Beyer’s We Come Elemental, Tarfia Faizullah’s Seam, Terrance Hayes’ How to Be Drawn, undocumented, university, W. Todd Kaneko’s The Dead Wrestler Elegies, writers of color

I. Growing up young, Filipina, and undocumented in Southern California, I naturally had a monstrous appetite for the various news feeds transcribing and sensationalizing the...

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