Womanly Regard: Gender and the Act of Making Nonfiction
Lately, as a new member of the VIDA Genre Advisory Committee for creative nonfiction, I’ve been wrestling with a paradox: I am addicted to facts, an inveterate snoop incapable of writing through the kind of invention that makes good fiction, yet I wrote nothing in creative nonfiction form until my forties. In college, I wrote what I called prose poems and fiction. I wrote poems, too, which were bad and beside the point here, but the prose poems and fiction both: a) consisted of factual material and b) often suffered as a result. (more…)


